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Extra info for A Journey into Matisse's South of France
Matisse often recalled watching the dance performed by groups of villagers on the beaches outside his window. When he painted The Dance and Music, immense testimonies to Collioure’s Catalonian colors and culture, Matisse danced around his studio emulating the sardana, hoping to capture the rhythm of the concentric circles on his canvas. 44 The Dance (1909). Collioure: Perpetual Dazzlement Derain arrived in Collioure within a week of receiving Matisse’s invitation. The younger painter was good company, but more important, he encouraged joy and freedom and pleasure.
Woman with an Umbrella (1904). This small portrait of Amélie is perhaps the best example of Matisse’s brief Pointillist period. He quickly found Pointillism far too restrictive for his expression of color. L’Annonciade Chapel is dedicated to preserving the works of artists who made the town a center of creative expression. Although today’s village of St. Tropez often overflows with tourists and jet-set celebrities, inside the Musée de l’Annonciade it is still possible to savor the charms of the old city with its stunning views, charming port, glistening light, and crests of waves, along with the color and warmth of the surrounding landscape.
He had finished his apprenticeships with Impressionism, Pointillism, Cézanne, and Signac; he was ready to strike out on his own. Ironically, the road Matisse took toward Modernism first led him to one of the oldest and most picturesque villages of the Côte Vermeille. 39 A Journey into Matisse’s South of France Collioure is nestled between the mountains and the sea, in a remarkable spot where the Pyrenees tumble into the Mediterranean at the border between France and Spain known as the Côte Vermeille (Vermillion Coast).